Catch up on the essentials
  • Arcel plays a bride-to-be who is "desperately trying to hide the shame of a past relationship with a Nazi during occupied Denmark," a subject that coverage noted has rarely been explored in film.
  • Israeli filmmaker Rachel Szor co-directed the late-added documentary "Naza" about the war in Gaza alongside Yuval Abraham, but she shared directing credit with a man.
  • With "Woman Unknown" securing Venice's top prize and Arcel earning Best Actress, attention now turns to the film's awards-season rollout, including its expected qualification window for the Academy Awards following its festival debut.

Selected from this article · 2026-09-13

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El-Toukhy and 'Woman Unknown' Take Venice's Top Prize

Small group of people wearing 3D glasses watching a movie in a theater with red seats.

Egyptian-Danish director May el-Toukhy won the Golden Lion for Best Film at the 83rd Venice Film Festival for her third feature, "Woman Unknown," a post-World War II drama set in Denmark about a housemaid, Marie, who attempts to conceal a wartime relationship with a German soldier as she prepares to wed her wealthy employer. Accepting the award, el-Toukhy said the film is "about the female body as a battleground and a public matter" and that it "tells the tale of women who are invisible, unseen and voiceless." She framed the project as driven by "the urgent need to illuminate the unknown women of our common history, to make them known."

Arcel Wins Best Actress in Her Film Debut

Mathilde Arcel received the Volpi Cup for Best Actress for her first film role as Marie, the lead in "Woman Unknown." Arcel plays a bride-to-be who is "desperately trying to hide the shame of a past relationship with a Nazi during occupied Denmark," a subject that coverage noted has rarely been explored in film. The film is built "around silences, details, small gestures, and repeated visual patterns," with el-Toukhy turning the female body "into a subtle cinematic motif" throughout the production.

A Lone Female Director in the Main Competition

"Woman Unknown" was the only feature in Venice's main competition directed solely by a woman, a point that had drawn scrutiny throughout the festival. Israeli filmmaker Rachel Szor co-directed the late-added documentary "Naza" about the war in Gaza alongside Yuval Abraham, but she shared directing credit with a man. Jury president Maggie Gyllenhaal had called the limited number of women-directed films "a systemic problem" at the festival's opening. El-Toukhy echoed that concern at her press conference, calling gender imbalance "very, very much a structural problem that I myself have lots of experience with," citing obstacles from securing a first film through budgets and later-career opportunities.

El-Toukhy's Background and Place in a Broader Arab Lineup

Born in Copenhagen to a Danish mother and an Egyptian father, el-Toukhy previously directed "Long Story Short" and the 2019 Sundance audience award winner "Queen of Hearts," a film later remade by Catherine Breillat as "Last Summer." Her Venice victory came alongside other Arab filmmakers at the festival, including Lebanese-Moroccan filmmaker Shaden Safieddine Tazi, who won the Orizzonti Award for Best Short Film for a documentary about witnessing Lebanon's conflict from abroad.

Other Major Venice Prizes

South Korean auteur Lee Chang-dong won the Grand Jury Prize (Silver Lion) for "Possible Love," which had been among the most highly praised films of the festival. Ilya Khrzhanovsky took Best Director for "DAU," his long-running experimental project on the life of Soviet physicist Lev Landau. John Malkovich won Best Actor for "Wild Horse Nine," in which he plays a CIA agent in a story set around Easter Island in 1973.

Verdict and Next Step

With "Woman Unknown" securing Venice's top prize and Arcel earning Best Actress, attention now turns to the film's awards-season rollout, including its expected qualification window for the Academy Awards following its festival debut.

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